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Petr Herel
Petr Herel was born 1943 in Czechoslovakia. He studied at the Prague College of the Visual Arts between 1957 and 1961. Later he studied the Prague Academy of Applied Arts where he received a Master of Arts. In 1971 he was awarded a scholarship by the French Government of Parts in 1971. In 1973 he moved to Australia. Herel is known for making, the not so easily distinguished, artist's books – "... an art form which he has pioneered in this country ().";〔Sasha Grishin. 'New Directions in Contemporary Australian Printmaking.' Contemporary Australian Printmaking. Craftsman House. 1994. Pp 162.〕 an art form where Herel "... embraces the figurative and the abstract, transcends fashion, yet occupies a place which is concentrated in the graphic mediums of drawing, printmaking, and the livre d'artiste."〔Elizabeth Cross. Binding Art and Text. Art Monthly. VOL 31. No. 2. Summer 1993. Pp. 232.〕
== Artists Books ==
The artists book has allowed Herel to linger between the written word and the figurative image for more than three decades. In 1976 Franz Kempf remarked that Herel's images are " ... spontaneous in their conception, the final form crystallized in the intention to find harmony between the subconscious and the conscious, the real and the unreal."〔Franz Kempf. Contemporary Australian Printmakers. Lansdowne Editions. 1976. Pp. 98.〕 Kempf's statement could also describe the behaviour of the poet or a reader of poetry, which is arguably why Herel found himself making artists books. Sasha Grishin, art historian, suggests that it is Herel's interest in literature (most notably in Czech, French, and English) that led Herel to make artists books: "The literary influence may serve as the initial point of departure for a very personal path of exploration."〔Sasha Grishin. ‘New Directions in Contemporary Australian Printmaking.’ Contemporary Australian Printmaking. Craftsman House. 1994. Pp 162.〕 Grishin demarcates the 'personal' from more typical illustration suggesting that Herel is not only exploring the text, he is also exploring himself. Grishin isn't the only art historian to notice the 'personal' in Herel's books. Anne Gray, art historian, elaborates on this point: "(books ) are unique and intensely personal works,..."〔Anne Gray. Introduction. Petr Herel: An Exhibition of Artist Books at the National Library of Australia. National Library of Australia. 1989. Pp.5〕 Gray's description might call a typical diary to mind, but she assures us this is not the case with Herel's books: "... although superficially similar to artists’ sketchbooks, (books ) differ in that they were created with an idea of unity".〔Anne Gray. Introduction. Petr Herel: An Exhibition of Artist Books at the National Library of Australia. National Library of Australia. 1989. Pp.5〕 Unlike an artists sketchbook or a diary, Herel's books are more conscious of what they are to contain, and how their contents will be delivered: "Herel’s books are blend of image and text, in which both have integrity and are enhanced by being placed together."〔Anne Gray. Introduction. Petr Herel: An Exhibition of Artist Books at the National Library of Australia. National Library of Australia. 1989. Pp.1〕 As early as 1975, Elizabeth Cross identified Herel's inspiration coming from "... the work of Henri Michaux. ... () the less well known delicately evocative use of calligraphy in transforming figurative studies. They share a lyricism and spatial flexibility with many of Herel's works."〔Elizabeth Cross. Imprint. Number Three. The Print Council of Australia. 1975. Pp. 2〕
There have been two presses which Herel has made the majority of his titles under. Labyrinth Press which he co-founded with Thierry Bouchard in 1980, and Uncollected Works Press which Herel founded in 2007.
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